Concern Level: Medium-Low
Marta reads a letter from her father, who she and her mother have not heard from and don’t know his whereabouts. He tells her, “war destroys everythi... → Continue reading below
The Hotel Balzaar
VERDICT: Prayerfully Consider
Concern Level: Medium-Low

Concern LevelMedium-Low
Concerning & Potentially Concerning Content
Marta reads a letter from her father, who she and her mother have not heard from and don’t know his whereabouts. He tells her, “war destroys everything, always. That is the intent, its only intent. If anyone tries to explain it to you otherwise, in some other way, in words of nobility or valor, do not believe them”. He then refers to God’s creation as “this terrible world”. Later we hear that a general “wept because of the evil he was responsible for”. There is no question that war is an ugly thing, a huge representation of the culmination of the sin that is the core problem of this world. But presenting a vastly oversimplified and unfair comment like this is a super surprising and unfortunate addition to put in front of young readers. The stories that are supposed to feel “magical” often come across as odd. The story feels very “this worldly”, but then next thing you know the young reader is told in total seriousness that a parrot from the story used to be a man who was a military general. How did he become this way? Well, we find out he was mean to a woman who was a witch… before being sold to a circus. Later, Marta is simply looking over the roof of the hotel and what does she see… herself with her mother and (still missing) father. At one point a woman seems to be able to read Marta’s mind, responding to something she only thought. While this is not the most concerning content ever, we do want parents to understand the “feel” of the story. One story addition that is very concerning appears later as the book goes on. A nun who has walked out of her life at a convent, without any reasoning or rational explanation provided, later walks out on her husband without saying a word to him… all while pregnant. This again happens with no “justification” as if it is the most natural thing in the world. Marta meets the bellman Norman. She tells him she is not supposed to talk with anyone. He responds, “Of course, we have not spoken”, in a sort of dishonest/mischievous way, and then proceeds to carry on a conversation with her. She proceeds to lie to Norman, seemingly without reason. She frequently disobeys and is dishonest to her mother. At one critical time she keeps huge events from her, justifying it by saying, “Something very important was happening – something that her mother was too tired, too helpless, to understand”. A couple other items to be aware of: One illustration shows a couple people smoking a pipe. At one point the book says, “Marta felt as if someone had reached inside of her and pulled her heart from her chest”.
VerdictPrayerfully Consider
Our Thoughts
This is the type of book that is deep and artistic… one that the critics will love… we’re just not really sure it is a good book for children. And that’s unfortunate, because this is marketed as a kids book. The whole feel is artistic, but also odd. We are not sure what real kids we have ever been around that this type of book is written for. Sometimes we feel as if authors begin to outsmart themselves. If you are considering this one, read through everything we listed in the section above and consider reading a chapter or two. You may even enjoy reading it yourself (it does have a sweet ending). The question on the table is whether this is a good one for your kiddos precious reading time. This is one we would suggest you carefully Prayerfully Consider.
Plot SummaryNote: This information is typically from the publisher.Use with caution
An instant New York Times bestseller! In a wise and magical follow-up to The Puppets of Spelhorst, Kate DiCamillo revisits the land of Norendy, where tales swirl within tales—and every moment is a story in the making. At the Hotel Balzaar, Marta’s mother rises before the sun, puts on her uniform, and instructs Marta to roam as she will but quietly, invisibly—like a little mouse. While her mother cleans rooms, Marta slips down the back staircase to the grand lobby to chat with the bellman, study the painting of an angel’s wing over the fireplace, and watch a cat chase a mouse around the face of the grandfather clock, all the while dreaming of the return of her soldier father, who has gone missing. One day, a mysterious countess with a parrot checks in, promising a story—in fact, seven stories in all, each to be told in its proper order. As the stories unfold, Marta begins to wonder: could the secret to her father’s disappearance lie in the countess’s tales? Book two in a trio of novellas bound by place and mood—with elegant line art by Júlia Sardà—The Hotel Balzaar masterfully juggles yearning and belief, shining light into every dark corner.
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This is a well-written review that presents a different (much more common/popular) perspective on this one from a Christian site.
Little to no discussion around potentially concerning content.
Read ReviewOverview type review worth scanning through.
Review format makes it a bit difficult to get a real understanding of whether a Christian parent should let their child read this book.
Read ReviewDo not be misled: 'Bad company corrupts good character.' Come back to your senses as you ought, and stop sinning; for there are some who are ignorant of God—I say this to your shame. But someone will ask, 'How are the dead raised? With what kind of body will they come?'
— 1 Corinthians 15:33-34
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